Aboriginal bark paintings as “religious heritage” ? Sharing responsibility over legacy (...)
Since the late 1920s, Arnhem Land bark paintings have found their way into the most prestigious museums in the world. Referred to as “the backbone of the land and sea” by Yolŋu scholar Joe Neparrŋa Gumbula (2010), these historical paintings materialise the religious knowledge, authority, and agency (...)
Site référencé: Civilisations
Civilisations
Custodians of heritage and faith : Orthodox Christianity in a Russian state museum
4/10/2023
La musée-transe. Autour du film Hampi. Le ciel est posé sur la terre de Jean Rouch (1961)
4/10/2023
Felicity Bodenstein, Damiana Oţoiu & Eva-Maria Troelenberg, Contested Holdings : Museum collections in political, epistemic and artistic processes of (...)
4/10/2023
Diletta Guidi, L’islam des musées. La mise en scène dans les politiques culturelles françaises
4/10/2023
Cyril Isnart & Nathalie Cerezales, The religious heritage complex : Legacy, conservation, and Christianity
4/10/2023
Sites rituels hybrides. Contextualisation de reliques bouddhiques dans un musée séculier
4/10/2023
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